Jazz as a Political Force

PROJECT DESCRIPTION

 In the introduction to their 1971 book Free Jazz / Black Power, Philippe Carles and Jean-Louis Comolli argue that the new jazz music of the 1960s and 1970s cuts against the traditional functions and beauty supposed of music, expressing rather political ideas or sentiments, such as testament to oppression, revolt and revolutionary struggle (2015, p.3). This raises important questions of how or even if music can, beyond its lyrical contents and titles, convey political ideas and carry political force. What is, or would be, political music? How does or can the non-verbal function in relation to political struggle and the movements that sustain it?

We invite applications from candidates wishing to engage in a doctoral study exploring these and related ideas.

 Academic Qualifications

A first degree (at least a 2:1) ideally in music, philosophy, political theory or social sciences.

English Language Requirement

IELTS score must be at least 6.5 (with not less than 6.0 in each of the four components). Other equivalent qualifications will be accepted. See the University webpage: https://www.napier.ac.uk/study-with-us/international-students/english-language/english-language-requirements

 Essential attributes

·       Experience of aspects of musicology, philosophy, political science

·       Competent in academic research skills

·       Knowledge of music and contemporary philosophy

·       Good written and oral communication skills

·       Strong motivation, with evidence of independent research skills relevant to the project.

·       Good time management

 Desirable attributes: an enquiring mind and innovative approach

Deadlines & timescale: Our standard entry times for research degrees are October and March, but you can make your application at any time and it will be considered for the next available intake, in this case: apply by 30 June 2024 for a potential entry on 1 October 2024, by 30 November for 1 March 2025, or by 31 May 2025 for 1 October 2025.