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  How does Drama Conventions support primary-secondary transition?


   School of Education

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  Dr J Ravet, Dr W Barlow  No more applications being accepted  Funded PhD Project (Students Worldwide)

About the Project

Proposed research aim.
How can Drama Conventions support secondary pupils’ educational transition from the ‘Broad General Education’ to the ‘Senior Phase’ within secondary schools in Scotland?

Research Justification.
Educational transition involves moving from one educational context and interpersonal relationships to another (Jindal-Snape, 2010). Educational contexts might involve transfer from one school to another, entering into a new school year, moving between year groups and from school into college/university (Jindal-Snape, 2016). Most people are able to negotiate transitions successfully (Jindal-Snape & Foggie, 2008; Lucey & Reay, 2000), whereas others require additional support (over a longer period of time) to cope with the change(s) as they can find it to be stressful and challenging (Jindal-Snape & Ingram, 2013).

Most educational transitional research focusses on primary-secondary school transition, however, few studies have been undertaken which attempts to understand the educational transitions within a secondary school; there is an expectation that these transitions are often smooth (Jindal-Snape, 2016). Furthermore, as young people experience several transitions in the school day which might involve the movement from class-to-class and teacher-to-teacher, it can result in separation from their peers, friendship groups and advancement in academic challenge. While some young people might excel with this new challenge, others could experience a repetition of ‘problem-patterns’ which they experienced in previous classes (Jindal-Snape, 2016). Transitioning from a ‘Broad General Education’ to a ‘Senior Phase’ in Scotland might require young people to select ‘option-choices’ for internal and external examinations and adapt to the ‘unspoken rules’ of advancing through the school years. Jindal-Snape and Ingram (2013) indicate that educational and life transitions often happen at the same time; young people might experience changes in the curriculum and academic level while managing other aspects of life. Galton (2010) suggests that young people and their family’s initial focus at transition might centre on relationships and life matters rather than academic issues; however, once these issues are resolved they often concentrate on academic advancement.

Drama convention approach to understanding transition.
Transition can be a period of anxiety and challenge for many children (Jindal-Snape et al., 2011). Empirical research into primary-secondary transition has often focussed on traditional research methods such as structured and semi-structured interviews, focus groups, observations and questionnaires to gather young people’s experiences. However, few studies have focussed on using play to develop our understanding of transition. Hammond (2016: 1) suggests that, ‘…this is remarkable given that play can be thought of as the human being’s innate mode of communication.’ Research has shown that creative approaches to transition can lead to increased pupil motivation (Bancroft, Fawcett & Hay, 2008), academic achievement (Schacter, Thum & Zifkin, 2006), self-esteem, resilience, emotional intelligence and agency (Jindal-Snape, 2010). Jindal-Snape et al. (2011) suggest that using a creative drama approach to facilitate primary-secondary transition might develop pupils’ engagement in learning while providing opportunities for them to reflect, develop their confidence and self-esteem (within a shared, safe and supportive learning environment) and engage with reality through a fictional context. Hammond’s (2015) study adopted a ‘Forum Theatre’ approach to investigate primary-secondary transition and indicated that it enabled young people to explore their transition concerns while empowering them to find potential solutions. To date, few studies have adopted a Drama Convention (Neelands and Goode, 2015) approach to develop our understanding of the educational transition between a ‘Broad General Education’ and the ‘Senior Phase’ of secondary schooling within the secondary context. As such, this study seeks to elicit the views of young people and their teachers around the perceived challenges and opportunities during the educational transition from a ‘Broad General Education’ into the ‘Senior phase’ within secondary schooling through the use of a Drama convention approach.

Proposed Research Methodology and methods.
This study will likely adopt a qualitative methodological design through the adoption of an explanatory case study approach. It seeks to collect data which will provide rich descriptive accounts of the young people’s transitional experience (Yin, 2009). To facilitate a multi-perspective analysis data collection is to include (but not exclusively): focus groups, questionnaires and filmed workshops.

Funding Notes

Masters level qualification in Drama Education (or related discipline).

This project is funded by a University of Aberdeen Elphinstone Scholarship. An Elphinstone Scholarship covers the cost of tuition fees, whether Home, EU or Overseas.

Selection will be made on the basis of academic merit.

References

Bancroft, S., Fawcett, M., & Hay, P. (2008), Researching children researching the world: 5x5x5=creativity. Stoke-on-Trent, UK: Trentham.

Galton, M. (2010). Moving to secondary school: What do pupils in England say about the experience? In D. Jindal-Snape (Ed.), Educational Transitions: Moving Stories from around the world. New York & London: Routledge, pp. 107-124.

Hammond, N. (2015). Forum Theatre for Children: Enhancing Social, Emotional and Creative
Development. London: Trentham Books/Institute of Education Press.

Hammond, N. (2016) Making a drama out of transition: challenges and opportunities at times of change. Research Papers in Education, 31 (3), 299-315.

Jindal-Snape, D. (2016). A-Z of Transition. London: Palgrave.

Jindal-Snape, D. (2010). Educational Transitions: Moving Stories from around the world. New York & London: Routledge.

Jindal –Snape, D., & Ingram, R. (2013). Understanding and supporting triple transitions of international doctoral students: ELT and SuRECom Models. Journal of Perspectives in Applied Academic Practice, 1(1), 17-24.

Jindal-Snape, D., E. Vettraino, A. Lowson, and McDuff, W. (2011). “Using Creative Drama to Facilitate Primary–Secondary Transition.” Education 3–13: International Journal of Primary, Elementary and Early Years Education 39 (4): 383–394.

Jindal-Snape, D., and J. Foggie. (2008). “A Holistic Approach to Primary–Secondary
Transitions.” Improving Schools, 11 (1): 5–18.

Lucey, H., & Reay, R. (2000). Identities in transition: Anxiety and excitement in the move to secondary school. Oxford Review of Education, 26, 191-295.

Neelands, J. and Goode, T. (2015). Structuring Drama work (3rd edition). Cambridge; Cambridge University Press.

Schacter, J. Thum, Y. & Zifkin, D. (2006). How much does creative teaching enhance elementary school students’ achievements? Journal of Creative Behaviour, 40(1), 47-72.

Yin, R. (2009). Case Study Research: Design and Methods. 4th ed. Thousand Oaks, CA: Sage.

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