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  AHRC-funded Collaborative Doctoral Award: Shakespeare Institute - the Royal Shakespeare Company’s ‘A Midsummer Night’s Dream: A Play for the Nation.’


   School of English, Drama and Creative Studies

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Prof M Dobson  No more applications being accepted  Funded PhD Project (European/UK Students Only)

About the Project

Applications are invited for an AHRC-funded collaborative doctoral award, to run from October 2015 to October 2018, on the Royal Shakespeare Company’s ‘A Midsummer Night’s Dream: A Play for the Nation.’

In 2016, as part of its celebrations of the 400th anniversary of Shakespeare’s death, the Royal Shakespeare Company (RSC) will mount a nationwide tour of A Midsummer Night’s Dream in which a different set of local amateur actors will impersonate the play’s ‘rude mechanicals’ at every venue it visits. This ambitious and high-profile event, called ‘A Midsummer Night’s Dream: A Play for the Nation’ (see http://www.rsc.org.uk/explore/projects/a-midsummer-nights-dream-a-play-for-the-nation.aspx), arises from the ‘Open Stages’ outreach project, launched in 2011, during which amateur companies performing Shakespeare all around the United Kingdom have been contacted, assisted and showcased by the RSC.

The Shakespeare Institute of the University of Birmingham and the RSC propose to embed a doctoral student with ‘A Play for the Nation’ to research this rich and complex artistic and social event. Granted access to planning meetings, rehearsals, documentation and performances, the student will study the methods and processes of the RSC and its amateur partners and produce a PhD thesis about their interactions: at the same time the student will be trained in academic theatre history and cultural studies by the university.

‘A Play for the Nation,’ as well as being a landmark in theatre history, will be a test-case in cultural policy, and it demands investigation and analysis as both. Over the three years of the studentship, the doctoral research produced by this student will contribute to a fuller understanding of the place of Shakespeare in the workings of national and local communities.

The student will be co-supervised by Professor Michael Dobson, Director of the Shakespeare Institute, and by Erica Whyman, Deputy Artistic Director of the RSC and director of ‘A Play for the Nation.’

Funding Notes

The successful candidate will be expected to have training in a relevant discipline (preferably theatre studies), a serious and informed interest in arts policy, and a deep familiarity with A Midsummer Night’s Dream. A Masters degree is desirable.

Candidates should submit an application for a PhD in Shakespeare Studies before 12pm GMT on Friday, 17 April 2015.

Applicants MUST also apply directly to Professor Dobson at: [Email Address Removed] by the same date, providing a covering letter, CV, research proposal (1000 words max.) and a writing sample (e.g. MA dissertation), to ensure that their applications are considered for this specific opportunity.

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Project supervisors

Career overview

Professor Michael Dobson is the Director of the Shakespeare Institute and a Professor of Shakespeare Studies at the University of Birmingham. He obtained a BA in 1982, an MA in 1984, and a D.Phil in 1990, all from Oxford University. He has also been awarded honorary doctorates from the University of Craiova, Romania in 2014, and Lund University, Sweden in 2016. Prior to his appointment at the Shakespeare Institute in 2011, Professor Dobson worked at Birkbeck, University of London, where he established an MA programme in collaboration with Shakespeare’s Globe. His previous academic positions include roles at Oxford, Harvard, and the University of Illinois at Chicago, alongside visiting appointments and research fellowships at institutions such as UCLA, Lund, the Sorbonne, and Peking University. Professor Dobson''s career has been dedicated to teaching and writing about Shakespeare''s works, focusing on their historical contexts and their influence on various creative fields. He engages with theatre directors and actors, publishes scholarly essays and books, and has a keen interest in the interpretation of Shakespeare in theatre throughout history. His current research involves writing a book on Shakespeare''s roles in the repertories of national theatre companies worldwide and serving as a General Editor for the Arden Performance Editions of Shakespeare series.


Research interests

Professor Dobson''s research focuses on the performance and reception history of the Shakespeare canon, both within the Anglophone world and beyond. He is particularly interested in the work of the Royal Shakespeare Company, the history of amateur performance, and Shakespeare’s afterlives. His current project involves writing a book about the roles played by Shakespeare in the repertories of national theatre companies worldwide. Additionally, he serves as a General Editor of the Arden Performance Editions of Shakespeare series. Professor Dobson enjoys consulting for theatre directors and actors and has published scholarly essays and books that explore the interpretation of Shakespeare in theatre across centuries, as well as the broader cultural impact of Shakespeare''s works.

View Professor Michael Dobson's profile